Data Roda 62

Agenda

  • Presentación del evento y los participantes.
  • Recuento breve de la sesión anterior.
  • Rutas de aprendizaje e introducción para experticias múltiples.
    • HedgeDoc y TiddlyWiki.
    • Parches en PureData (@Ruidajo).
    • Cartografías sociales/sonoras en TiddlyWiki (@Mo).
    • Interconectar infraestructuras en [[GlamorousToolkit]] (@Offray).

:::info Spanglish

As we have a non Spanish speaker participant on this workshop, we're going to use Spanglish :::

Presentaciones

  • Ruidajo: Major Musician, Minor Sound Engineer.
    • here a list of some projects https://ruidajo.gitlab.io/
  • Adrian: Software developer for about 30 years. Interested in VR/AR, knowledge management
  • Mo: Cuban Industrial Designer. Copincha
  • Franco: Argentinian Teacher, teaches young (around 15) thinks that technology can be used, learned in ther ways and always is inquiring about this field and alternatives.
  • Master Undergrad studes on Architecture and sociology, member of the Mexican Hackerspace Rancho Electronico, was a teacher for highschol exams for people who doesta have money for this courses , loves videogames , pedagogy freesofware and recicling electronics
  • fun fact did you know that clone hero exist??
  • https://clonehero.net/

Recount of the last session

International Day of Listening

  • https://www.worldlisteningproject.org/

    • https://worldlisteningday.org/
    • https://cratilar.wordpress.com/

  • Notes of the previous session: https://docutopia.tupale.co/dataroda61# *

Conversación sobre la herramienta:

  • Glamorous + DMX (Ralph): Los enlaces no pueden ser enriquecidos de maneras centralizadas

    • https://dmx.readthedocs.io/en/latest/preface.html
    • https://dmx.berlin/

    Topic 1 <-- Association --> Topic 2

    La asociación es el constructo más alto (no los tópicos o las etiquetas).

    DMX es una base de datos asociativa.

  • Hello World Example

    • http://helloworldcollection.de/

  • Grafoscopio

  • Maturana and Varela

Música y sonidos de los breaks

Ruidajo's PureData Patch

Ruidajo expands on the idea of Pure Data possiblity of self-referentiality by creating "patches" (small pieces of functionality) that connect together other places of the environment

In the sound perception, the ways of its reproduction throught time is what gives each instrument its particular signature, related with

  • ADSR:

    • Attack
    • Decay,
    • Sustain,
    • Release,

  • Line: Creates a connection between two objects. Line understand the messages represented by the objects it connects.

  • The idea is to produce a particular "wave" representing ADSR using patches.

    • Ticking clocks with half second delay (two representations):

    • Mini keyboard to play a synth:

    • Keyboard representing Attack and Delay

    • Bifurcations on key releases:

    • The patter in 1 sec:

  • Tunning systems:

    Bach and semitones. la# 2^(1/12)

    • Midi representation:

  • A patch can represent (factorize) a subpart of the diagram

  • How Pure Data reads environment ambient (internalization).

  • Ofelia: Lua + OpenFramworks + PureData.

    • Derivas, que conectan sistemas entre sí.
    • Roassal y librerías que conectas diferentes sistemas de representación.
    • Aesthetic experiences and live coding: Roassal powered alike Hydra coding experience.
    • Pharo powered shaders.

  • pd: Opens subpatches, new canvas containing functionality (cfg: fractality notion by Adrian at the beginning).

Ideas y lecturas

Adrian

Pure Data es exitosos por la manera en que representa de maneras multimodales conocimiento.

Representaciones que permiten establecer conexiones entre lo que parecía no relacionado, curarlo y hacer asociaciones de alto nivel que no requieren repetir la experiencia (ejp: horas de conversación)

Master

He is thankful about how the introduction makes a complex environment more understandable. Example: numeric representation of keys, or music scales.

Ruidajo

Música raizas y escalas no temperadas y la idea de "colonizar" la escucha, unas escalas sobre otras.

Knowlege transfer beyond visual/spoken mediums (accesibility): sound, body, odor, kinestesic, emotional knowledge.

  • Space felt bigger, with more people/facilitators.
  • Expansion/confunsion by "extraction" of preferred mediums.
  • Problems with the bridge with this kind of experiences with the translation with another media (qualia/gene/meme problem).
    • Affecting from measuring/registering (quatum metaphor the object changes when measured).
    • Technologies as breach amplifiers.

Franco

  • Senses and empathy as important ways of understanding of experiences, words, fellings.
  • Information is not knowledge, words are not experiences.
  • Partiture is not the music, music is not the experience, experience is not the feelings.
  • From our particular places approach to software and technology with lower friction.

MADA: Meta Arqueología Digital Activistita / Digital Activist Meta Archeology

MADA

Cartografias

Dia mundial de la escucha https://mutabit.com/repos.fossil/copincha/uv/repo/microwikis/dia-mundial-escucha-2021.html

Cartografía de bolsillo https://mutabit.com/repos.fossil/copincha/uv/repo/microwikis/cartografias-de-bolsillo.html

Mapa mental https://mutabit.com/repos.fossil/copincha/uv/repo/microwikis/copinchapedia-dataroda62.html